Marcelo Matere

fuckyeahavatarshipping:

velocityprime:

Some screens from the upcoming Legend of Korra Art Book

/chokes on her tongue IS THAT BOLIN SHIRTLESS IN A THONG where the fuck is MAKO shirtless in a thong dammit

Can’t wait to get this book! 

(via korrarity)

johnbyrnedraws:

A normal day in the life of John Byrne. How do you spend yours?
When asked what his normal day is like, John had this to say on his forum:

The alarm goes off at seven and I start up town…
Well, no, not really. I stopped using an alarm clock years ago. My internal clock seems more or less permanently set to wake me between 5:30 and 6. I get up, let the dog out (when I have one), feed the dog, get myself an apple or a banana, and head downstairs to the Studio.
An hour or so at the computer, first, and hit the drawingboard usually by 8. Work until around 11 — roughly 2 pages of layouts and the first “layer” of inks — then have lunch, usually a mug of soup.
Back to the board at 1, remaining inks on those two pages. Finish around 4 on most days.
Occasional trips to the Forum pepper the day.
Weekends, pretty much the same, except I work on commissions.
Most evenings are spent vegetating in front of the TV. There are flurries of social activity — plays, movies, parties, dinners — but for some reason those tend to clump together, so I’ll have a busy couple of weeks, then nothing for a few months, then back into the cycle.

johnbyrnedraws:

A normal day in the life of John Byrne. How do you spend yours?

When asked what his normal day is like, John had this to say on his forum:

The alarm goes off at seven and I start up town…

Well, no, not really. I stopped using an alarm clock years ago. My internal clock seems more or less permanently set to wake me between 5:30 and 6. I get up, let the dog out (when I have one), feed the dog, get myself an apple or a banana, and head downstairs to the Studio.

An hour or so at the computer, first, and hit the drawingboard usually by 8. Work until around 11 — roughly 2 pages of layouts and the first “layer” of inks — then have lunch, usually a mug of soup.

Back to the board at 1, remaining inks on those two pages. Finish around 4 on most days.

Occasional trips to the Forum pepper the day.

Weekends, pretty much the same, except I work on commissions.

Most evenings are spent vegetating in front of the TV. There are flurries of social activity — plays, movies, parties, dinners — but for some reason those tend to clump together, so I’ll have a busy couple of weeks, then nothing for a few months, then back into the cycle.

All my Transformers RID & MTMTE Covers via herochan 

monzo12782:

The Napkin of Revelation

Aaron Archer’s original outline for the series that would become Transformers: Cybertron, drawn on a napkin (origin uncertain), shown to fans at Hasbro’s booth during the final hours of BotCon 2005. With Aaron’s recent departure from Hasbro, I have decided to reveal these personal photos to the general public for the first time, though one side of the napkin previously showed up in the Transformers Vault guidebook.

You did a lot of good during your time on the brand, Aaron, and you will be missed. I am sorry that our first run-in, at BotCon 2002, consisted of me inadvertently keeping you from the restroom before the start of a panel to ask what the deal with Movor’s name was. Um, my bad.

Godspeed, sir.

(800th post. Huzzah.)

(via itswalky)

leseanthomas:

bjornstar:

Inception vs Paprika

I don’t think Chris NOlan brought the rights to Satoshi Kon’s PAPRIKA for his movie “INCEPTION” however….

(Source: yerawizardharry)

adigranovart:

Iron Man 3I only did a few pieces for this film, this one being the main one. The colour and details changed between this and the finished design, but the overall idea is definitely there.

adigranovart:

Iron Man 3
I only did a few pieces for this film, this one being the main one. The colour and details changed between this and the finished design, but the overall idea is definitely there.